The Trombone History - 2105 Words

The Trombone The trombone in itself has been around for over 600 years. Trombones were introduced to the orchestra in the 18th century. Trombones were found in churches during this time because they were known for their vocal support. This tradition of using trombones in a church setting continued well into the mid-19th century. Fanny Mendelsson-Hensel’s Oratorio is an example of the trombone use, used in the early years of the trombone. During the mid-19th century, bell-size became wider as a larger, louder sound was introduced for the performance in bands. This was also used to generate louder volume in the orchestra. By the mid-19th century the role of the trombone in band and classical music was in place. It was not until the†¦show more content†¦This style of jazz was important because it was unlike any other jazz, this jazz was not for dancers, as the others had been, this jazz was for listeners. The typical size of a jazz group was small which allowed the jazz music ians to improvise more. The first bebop trombonist was Bennie Green. Bennie got his start in the swing era big bands such as the Earl Hines Orchestra. Green’s soloing kept the swing style phrasing, but he added in the bebop harmonic rhythm. However, the most important figure in modern jazz trombone was J.J. Johnson. Johnson also got his start by playing in swing band, such as the Count Basie Orchestra. Johnson completely avoided the glissandi and growls which was common for Dixieland and swing styles. Johnson also played with little or no vibrato. He was known for having amazing technical command of his trombone. Frank Rosolino was another amazing bebop trombonist. Rosolin’s best known job as a sideman was as the featured trombonist with the Stan Kenton Orchestra. Other trombonists of this era who made contributions to bebop are Kai Winding, which was very similar to Johnson, so similar that they co-led trombone combos together knows as â€Å"Jay and Kai.† Al Grey also is a notable trombonist along with Willie Dennis. During the 1950s many musicians began reacting to bebop and experimenting with it and trying to put their own twist to it. These jazz players were taking a cue from 1949 Miles Davis recording â€Å"Birth of the Cool,†Show MoreRelatedRichard B. Klaus : A Listening Guide1617 Words   |  7 PagesIn his concerto for trombone and orchestra, Concertino in Eb Major, Ferdinand David composed a concerto that would forever change the world of trombone. Since its original composition in 1837, the Concertino has become a standard piece of trombone repertoire. While it is believed that there have been changes since the original score was written, it still remains to be a staple in the education of trombone players. Recent Scholarship Kenneth B. Klaus wrote a book which studies the Romantic PeriodRead MoreDavenport Blues Essay1104 Words   |  5 PagesGabrielle Bacarella Professor James History of Jazz Davenport Blues Meter: 4/4 Introduction (4 bars) 0:00 Band (2 bars) → Cornet Solo (1 bar) → Clarinet Solo (1 bar) **Solo break at Bar 3** Verse (16 bars) 0:06 Band (8 bars) 0:18 Band (8 bars) Chorus 1 (32 bars) 0:31 A Cornet Solo (8 bars) 0:43 B Cornet Solo (8 bars) **Solo break at Bar 7** 0:55 A Cornet Solo (8 bars) 1:08 C Cornet Solo (8 bars) **Solo breaks at Bars 1 and 3 (stop time)** Read MoreIn The Middle Of The 19Th Century, Congo Square Became1369 Words   |  6 Pagesanticipated the future of their developing art form. None could have foreseen that their informal rhythmic gatherings would eventually lead to nationally recognized big bands with more than 20 musicians and celebrity band leaders. The trajectory of jazz history is complex and rich, flowing from style to style and from region to region. 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He used mild comedy which added a nice amountRead MoreJack Teagarden, Louis Armstrong, Troy Andrews545 Words   |  2 Pagesmusician. He is known around the world as â€Å"Trombone Shorty†. He has performed many concerts, mainly in New Orleans (â€Å"Trombone Shorty† 12). He is one of the most talented jazz musicians in the world. He also plays the trumpet. He is actually very good at trumpet. He is as good at trombone as he is as trumpet. Troy Andrews is one of the brightest young stars in the New Orleans music scene (â€Å"Trombone Shorty† 12). He was in a band called the Nighthawks (â€Å"Trombone Shorty† 12). Nighthawks used to performRead MoreThe Music Of The Harlem Renaissance855 Words   |  4 Pagesamong one of the most interesting genres. It has encompassed all cultures since it arose in the late 18th century. 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The saxophone, trumpet, trombone, bass, drums, piano, and guitar are the most popular instruments still being usedRead MoreDid Jazz Start A New Orleans Or Chicago?1451 Words   |  6 Pageshis violin in Chicago in 1910 and Wilbur Sweatman was in Chicago playing clarinet in 1906. From a musical position, there is less of an argument because the characteristics are different. Starting with New Orleans style has a strong marching band history and the instrumentation is more mobile with banjo, brass instruments, and woodwinds, marching percussions like bass drum player or a snare player. The emphasis in New Orleans Dixieland also referred to as classic jazz or â€Å"old south† depending on